Friday, July 22, 2016

The Persistent Author



I wrote a book, something I’d yearned to do since childhood. I naively thought I’d start at page one and proceed in a logical fashion to “The End.” Instead the story came together in fits and starts with a whole lot of organizing, reorganizing, writing and rewriting—much of it done at night when I suffered from insomnia. Scribbles on yellow sticky notes, written in the dark, barely decipherable in the morning, eventually came together as a novel.

In all of my childhood dreaming, I had never considered the roller coaster of emotions that would come with the author role.

Initially, I told no one about my writing, rather embarrassed to presume to have the ability to put myself somewhere among the ranks of my favorite authors. But 

I couldn’t just leave my baby, er, I mean my novel, sitting on my computer so I joined the provincial writing guild and became a member of a critiquing group.
We were strangers on a mission, all new to the business of being an author, but determined to succeed and intent on helping each other reach our goals. Meeting once a month, nervousness morphed into confidence—not only of our own work, but also of the members’ genuine desire to help, not insult or hurt.

From the critiquing group I progressed to working with a writing partner sending work back and forth, brainstorming ideas, and making corrections. With a completed manuscript it was time to search out agents. I trotted off to the post office and, hands trembling a little, handed my letters over to the clerk.

I waited, impatiently for the post man. Replies did come—eventually. My heart beat faster, my hopes rose. I tore open the envelopes.  Rejection. Rejection. Rejection. Hopes dashed, I glared at my computer, gave it a figurative kick and left it standing alone and lonely on my desk. This period of gloom lasted anywhere from a few minutes to a few hours after the receipt of one of those letters.

Refusing to give up, I started to write a second novel while preparing more queries for the first. Eventually a fat envelop arrived. My heart lept. This had to be good, right? All the others were skinny with little “Dear Author” notes inside. A fat letter had to be a positive response. Not! Rejection and pages of agent advertising urging me to spend a bundle of dollars on various services they just happened to be able to offer. Angry and frustrated, I debated quitting. Any sane person would give up. Not me. I persisted. I kept writing.

It was at the Willamette Writers’ Conference (not the first conference or workshop I’d attended, by any means) that I first heard about self-publishing. My writing partner and I pitched to an agent. She was positive, asked to see our work. Elated, we drove home plotting our future. A couple of weeks later we received identically worded rejections from this agent for two very different genres and writing styles. Angry at first, frustrated beyond belief, then overcome with laughter, our determination solidified. That was it! No more agonizing. 

Future defined. We’d self-publish.  

Persistence paid off. I now have six books published (a four novel science-fiction series, one collection of short bits, and a contemporary novel) available in all formats. Ideas are swirling in my head for book seven. Now to get them to settle down into a logical order so that I can write it.  

www.darlenejonesauthor.com 


Friday, July 15, 2016

It's so quiet here



“We need you to interview a couple who have applied to teach in our province,” said the government voice at the end of the line.

“O-kay,” I said wondering why they couldn’t do it themselves.

“They’re from Lebanon and they only speak Arabic and French.”

Aha, that explained it. We had many immigrants coming into our city from war torn areas of the world and the Lebanese civil war was on-going at the time.

“We need you to evaluate their French language competency.”

A date and time were set and I met the couple in the appointed government office. I talked to each of them in turn.

The wife was shy and timid, but her French was fine. The husband was more willing to talk about conditions in Lebanon.

“I was a teacher,” he said. “They took my job away and sent me to work at the airport. Every morning I said good-bye to my family not knowing if I would see them again. Every morning a guard pointed a gun in my chest and asked me to produce my identification. The same guard. Every morning. As if he didn’t know who I was. We were so lucky to come to Canada. We had to come. I couldn’t risk the lives of my wife, my children.”

He paused for a moment as if gathering himself. “It’s so quiet here. You have peace. It’s so quiet here.”

All these years later, especially as I watch the news of war and strife around the world, one phrase echoes in my head. “It’s so quiet here.”






Friday, July 8, 2016

Joys of Deciphering English



Uzo (my writing partner from Nigeria) writes:

When I am at a loss as to what a word means or how to write something, I consult my English dictionary. But then it's English we are talking about; a vast somewhat complex language. It appears changes are being made every two or three years. And who am I to question another man's language?

I imagine traditional speakers of English hold different views when it comes to the application of certain words. Take for e.g. "fell" in the sentence "His face fell." In the Oxford dictionary there is an example like that along with its meaning. If as a writer, one is trying to convey to his readers that Jane is discouraged by her test results, how does he do so without being wordy? Do I simply say Jane looked discouraged? I am sure a good editor will point that out to me as "telling" how Jane feels. Yes, a writer doesn't have to "show" everything, but when he does, he either is talking about a body part or anything around his book's character(s). And from what I gather excessive use of "...ly" words make for lazy writing. So we are back to creativity in writing. How much description is bad and what sentences are now a cliché or not grammatical enough?

I write:
English is a horrendous language to learn. Culture plays a role too of course. I was getting my teeth cleaned yesterday and the hygienist, who is Vietnamese, said that her nieces and nephew are half-breeds. She used this expression because her sister and brother married white Canadians. I told her that "half-breed" has a terrible negative connotation coming from racism. When I was a kid, native Indians, (or to use the current politically correct term, aboriginals), who had an Indian parent and a white parent, were referred to, in a very derogatory way, as half-breeds. Of course she was completely unaware of this. Now, people use the term bi-racial. So I would say my granddaughter is bi-racial because she is half Mexican and half white Canadian. 

At the same time, the complexity of English offers a multitude of nuances of meaning and that, of course, is where the difficulty lies. The article I sent you is just one writer's opinion. She makes some very good points, but I disagree when she says the expression "his face fell" has the reader picturing his face on the floor. In fact “his face fell” is perfectly understood by native speakers to signify his shock or disappointment. 

How much description is bad? It's too much if the reader skips over parts. It's too much if it doesn't advance the story. Before television, books had huge passages of description that readers enjoyed, but with all the visual media we have now, readers don't have the patience for that sort of thing. But then there is also danger in too little description if it leaves the reader puzzled as to what is happening. We, as the writer, have the scene clear in our heads. It has to be clear for the reader too. 

One of the "joys" of being a writer is trying to find the balance in all of this.


Uzo writes:

Half-breed. Ah! We used to call white people half-caste. I thought that was cool until I got into senior secondary. Imagine how embarrassed I was when I was corrected. I felt terrible because one of my very good childhood friends was a white girl. She's bi-racial - Nigerian and German.

Friday, June 24, 2016

What are the aliens up to now?



Hi, I’m Curtis. Mrs. Jones—that’s her on the camel—put me in one of her books called EMBRACED. Sounds pretty mushy to me. Anyway, she says I have to tell you a little about the story.

Miss D, my school principal came to me one day with this page of scribbles. She thought it was some kind of code and she wanted me and my buddies to try to figure it out. I like Miss D and all. She’s not bad for an adult. You can talk to her and she doesn’t make fun. But, sheesh, a code from aliens? Anyway, to keep her happy, I said I’d help.

Thing is, once I started studying the scribbles, I could see messages. I told Miss D that Coder Guy (that’s the name Miss D gave to whoever was sending the messages) wanted her to fix things. Of course she asked what things? I didn’t know so I made up some stuff. Miss D wrote letters to newspapers using my ideas and the things she asked for started to come true.

She even let our class write letters on this fancy paper she had and the things we asked for came true too. Kinda spooky, eh? But fun. Secretly I wished Coder Guy could get rid of my zits and help me lose weight so I wouldn’t be such a geek. I didn’t tell Miss D that, but Coder Guy must have read my mind or something cause now I’m taller and better looking and the girls are starting to talk to me. Miss D says everyone changes, but for me it happened awfully fast so I think Coder Guy did it.

Now Miss D is in the hospital. She’s all screwed up by the messages and the letters and this guy named Sam. I think she really liked him, but he dumped her or something and that sent her over the edge. I’m going up to the hospital to see her now.

Oops, Mrs. Jones just told me not to say too much. Doesn’t want any spoilers for her book so you’ll have to read it to find out what happens. But she did tell me I could let you read an excerpt so here’s one for you.

Gotta go see Miss D now. Hope you like the book.

EXCERPT

“More drawings?” Curtis gestured at the papers she held.

Abby looked down at the pages and willed her hand to stop trembling. The three pages of code drawings seemed to shimmer and shiver with a life of their own. “Yes. Three pages. From Friday, Saturday, and last night. They’re pretty … they’re … pretty well done, I’d say.”
But Curtis was no longer listening.  He waved the papers she’d just handed him and almost shouted with excitement. “These are amazing. Way better than the first drawing you brought us.”

Abby stifled a small grin, but she had to agree. The drawings outclassed her scratches a million times over. “My friend developed instant artistic talent.”
“I’ll say.” Curtis shuffled the pages back and forth. He shook his head slowly and muttered “wow” over and over. Finally he looked up at her. “Miss D, thanks for getting so many. Now we have four to compare. We’ll see if there are any repeated patterns or sequences of symbols. Your friend is great to share these with us.”

“No problem.” Oh God, I’m such a liar. Of course there was a problem, and not just because she was lying to Curtis. My friend. How lame was that? The mere existence of the pages was the real problem. Some nights the clickings chattered incessantly in her fillings, almost driving her crazy.
Those were the nights of very little sleep. The weekend had been eerily silent. That was a new phenomenon since Friday, no clickings, instead Coder Guy had begun leaving the pages filled with drawings. Either way—no escaping the code.

A while back, she’d grown tired of sharpening the pencil she used each night and replaced it with a pen, which was now almost out of ink. She’d have to remember to get out a new one tonight. Or maybe not? What would happen if there was no writing utensil?

“What’s so funny?” Curtis asked. Abby hadn’t realized she’d laughed out loud. The lack of pen wouldn’t stop her night visitor. She stifled another burst of laughter she knew bordered on hysteria. Truth was, much as the pages of code scared her, she’d be devastated if no more came. The person—being, alien, Coder Guy—was an integral part of her life now; his existence had established a rhythm that kept her balanced. Or so she thought. Maybe she was completely off her rocker.


Friday, June 17, 2016

Reality of Writer's Lives



Writers’ lives often seem exotic and mysterious. Growing up, we read about the eccentricities of Hemingway, the excessive drinking of James Joyce, the desperate days of Jack London…. Artists in any genre are often seen as exceptional characters. They starve, cut off their ears, have several lovers, engage in dramatic fights, drink, and drink some more.

The days of big thinkers were never ordinary. They partied all night and slept all day.

How much of those stories are pure myth? What do modern day authors really do?

It’s likely that authors aren’t unlike anyone else. They get up, have breakfast, go to work, make dinner, spend time with their families, read, watch TV, sleep. Perhaps there’s a glass of wine with dinner, a night out with family or friends, a trip or two, a bit of body boarding at the beach. Nothing to make them stand out.
For a look at the day of a few famous authors see http://ow.ly/mCAW301n6dS


Friday, June 10, 2016

Self-Publishing—who’s making the money now?



In the early days (2010) John Locke loomed large on the horizon as the first self-published author to sell one million books. Amanda Hocking and Hugh Howey were not far behind. We did the math 1,000,000 X $0.35—and jumped on the band wagon. We all thought we too could be as successful as these pioneers. 
         
   Phase 2 of self-publishing saw the emergence of a plethora of “how to”—how to write, edit, publish.
-       Want to write a book? Get out of your own way.
-       The Snowflake Method
-       The Layered Writing Method

Many blog posts one could read for free, but how did we know the blogger had any real expertise? We turned to books instead, however a large number of these books are also penned by unknowns, so we had to pick wisely. It quickly became almost compulsory to attend writing conferences as we hoped to find expert advice from the pros.

Phase 3 carried formatters, editors, and cover artists along for the ride. And those of us who were smart hired them to have our books be as professional as possible. If the big publishers wouldn’t take the time to look at us, we’d do it ourselves, and we’d do it right.

Phase 4? Ah, yes, another plethora, this time of advice on how to use social media to promote your books and the great debate about pricing and the wisdom or stupidity of making your books free;  all of this along with numerous book marketing sites. Some listed your book for free, others charged a fee. The problem of course was determining which were most effective, which really had the following to get your book “out there.” BookBub rose to the top charging what are exorbitant rates for most struggling authors, yet it is the one we all aspire to be on.

And, Phase 5? Perhaps the cleverest of all—“How to Market” courses with lovely videos, webinars, and supplementary materials, seemingly (from what one sees on the screen) prepared in the comfort of one’s own home. For the mere sum of $500, $600, $700 or more, you’ll receive the magic answers. Many of the presenters are Indie authors themselves. These “experts” promote strategies they claim worked wonders for their own sales, which makes one question why they are doing all the work necessary to create and present these courses instead of writing more books.

As we wade our way through the phases, weaving back and forth in an effort to produce the best possible book and find the elusive magical hook that will reel in readers, it’s phase 5 that intrigues the most. Convince 1,000 or 2,000 or 3,000 authors eager for sales to buy your course and you’re laughing all the way to the bank.