As writers, we’re told:
Write what
you know.
Draw from
your own experience.
Research.
We do all of that and then … we receive a note like this
from a reader.
This question has to
do with your last book, EMBROILED (I'm still reading it). Emily's character
intrigues me. Do you happen to know anyone who's visited a shrink before? I ask
because Emily's sessions with David are vivid. Engaging. I can't help but feel
that this goes beyond the imaginary. But then, that is what a wonderful writer
does, right? Carry the reader along.
No, I don’t know anyone who’s been to a shrink. No, I’ve
never been to one myself. So, if I’ve truly created an authenticity for my
readers (as this one assures me I have) where did that ability to do so come
from?
Perhaps the portrayal of a patient with her psychiatrist is
influenced by memories of such events in books I’ve read or movies and
television shows I’ve watched. I think that could be an explanation, but I
believe that would be only a partial answer.
Then this conversation occurs.
Discussing a favorite movie, one of our friends commented on
a key scene. “Then the character said
exactly what I expected her to say.” For him that was a defining moment,
the key to the character and the plot. If she had said anything else, it would
have thrown him out of the scene and back into his theatre seat.
What does it mean to create an Emily, a character that
readers find so real?
What does it mean to have characters that “stay in character”
like the one in the movie?
How do we create the characters who take the reader into
other worlds?
We can describe physical features. We can show their
reactions to the world around them. We can have other characters react to them.
But, I believe the most powerful tool the writer has is
dialogue. What characters say, how they say it, their tone and body language
show the reader who and what they really are.
To create that kind of perfection, the author must know his
or her characters intimately. The motives that drive them, their fears, their
dreams, all of their idiosyncrasies, as well as the more mundane details of
birthdays, family relationships, childhood experiences, teen traumas, friends
and lovers. Most of this the reader will never know, but the soul of the
character, as the author knows him or her, will leach into the novel and into
the hearts and minds of the reader.
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